Download PDF Unmasking Theatre Design: A Designer's Guide to Finding Inspiration and Cultivating Creativity

Download PDF Unmasking Theatre Design: A Designer's Guide to Finding Inspiration and Cultivating Creativity

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Unmasking Theatre Design: A Designer's Guide to Finding Inspiration and Cultivating Creativity

Unmasking Theatre Design: A Designer's Guide to Finding Inspiration and Cultivating Creativity


Unmasking Theatre Design: A Designer's Guide to Finding Inspiration and Cultivating Creativity


Download PDF Unmasking Theatre Design: A Designer's Guide to Finding Inspiration and Cultivating Creativity

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Unmasking Theatre Design: A Designer's Guide to Finding Inspiration and Cultivating Creativity

Review

"I have read other design books and, while they are valuable, [Unmasking Theatre Design] is the first that I read from start to finish. The language and topics flowed wonderfully and I was fully engaged in what I was reading. I feel very strongly that [this] book is an asset to me as a designer and a resource that I will suggest to other designers in the future." - M.K. Hughes, Southern Illinois University "Your book completely changed my perspective and approach to design, and I think this is going to do wonders for the way that I teach, and the way my students learn." - Julia Fisher, Theatre Teacher at Saint Martin de Porres High School  

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About the Author

Lynne Porter is Resident Designer and Director of the Theatre Program at Fairfield University, where she has been teaching, administrating, and making theatre since 1995.She is also the Academic Director of Creative Life Residential College, a sophomore experience focused on inspiring the creative impulse. She regularly designs for the Bloomsburg Theatre Ensemble, where she is an Affiliated Artist of the Ensemble. She also designs with the Guerrilla Shakespeare Project in New York and various theatres from Maine to Georgia. Lynne is an associate member of the Shakespeare Theatre Association of America and a member of the United States Institute for Theatre Technology, as well as the Association for Theatre in Higher Education. She holds an MFA in scenic design from Indiana University.

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Product details

Paperback: 320 pages

Publisher: Routledge; 1 edition (December 17, 2014)

Language: English

ISBN-10: 0415738415

ISBN-13: 978-0415738415

Product Dimensions:

7.5 x 0.8 x 9 inches

Shipping Weight: 1.9 pounds (View shipping rates and policies)

Average Customer Review:

4.7 out of 5 stars

5 customer reviews

Amazon Best Sellers Rank:

#320,969 in Books (See Top 100 in Books)

Great Tool for Theatre professionals and those wanting to learn more about the business of designing within that realm. I will continue to use this text as a helpful tool throughout my career.

This is an exceptional book. There are other books covering theatrical design, both general and in specific design areas. This one is unique in the way it covers the topic. There is not another book like it in this subject area. Excellent.

Nice first aid kit. Well made and covers the basics. There’s room for a few extra items of your own. I really like the size and construction of the case. I’m going to put this in my wife’s vehicle. Good product.

This book will not disappoint! If you are interested in learning HOW designers think, and how their design process works, this book is for you! It is packed full of color illustrations, and one whole chapter covers Ms. Porter's entire design process - sketches and models and all - for a professional set she designed.I was so immediately in love with this book - and it changed my teaching so dramatically - that I had to write to Ms. Porter and tell her just how much her book impacted me. An excerpt of my note to her is below:I am a theatre teacher at a high-school in Cleveland, and one quarter of my class is devoted to theatre design. Last year (my first year teaching), my design unit was pretty terrible. I have a lot of experience with acting and playwriting, but less experience with design, so I felt very uncertain teaching my students, and the big project I had them do was confusing and less helpful than I wanted it to be.This year, I wanted to completely redo my design unit, but I wasn't sure where to start. So I went to a library and asked a librarian for help finding some books on design. The first book he found for me was your book, and I checked it out (along with about 30 other books). Yours was the first I opened, and I spent the rest of my free time that school day reading it, and finished it that evening at home.I immediately scrapped everything I had planned, and created a whole new unit based around the ideas in your book.I know understood - as I hadn't before - HOW designers think, and how they go about the process of design. I also understood now how this process mirrored the creative process that is necessary in every kind of creation and invention.As I experimented with the project I created for my students, I myself found a new interest for design, and a new belief that I could be creative in this way.Your book completely changed my perspective and approach to design, and I think this is going to do wonders for the way that I teach, and the way my students learn.Thank you, thank you, thank you.I am so grateful for the clear and logical way you explain the design process, as well as the loads of pictures and models to illustrate every concept. Your chapter on your Dracula process was particularly exciting and illuminating. My students will be exploring and analyzing your Dracula process as they work through their own design process.Again and again, thank you. I am so grateful for the work that you put in to help your fellow design teachers.

Inspiring!

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